Edwige FOUVRY (by Dolby Chadwick Gallery, San Francisco )

Edwige Fouvry (2018). Essay by Frances Malcolm, exhibition catalog featuring Edwige Fouvry’s recent work.

Published on the occasion of the exhibit Edwige Fouvry: Entrevoir, June 7 to July 7, 2018.


32 pages, 17 color plates.




In the spring of 2011, Peter Selz former curator at the Museum of Modern Art in New York, founding director at the Berkeley Art Museum, and professor emeritus at University of California, Berkeley curated the exhibition HEADS at the Dolby Chadwick Gallery. Featuring the art of Irving Petlin, Lucian Freud, Ann Gale, Edwige Fouvry, Alex Kanevsky, Sherie  Franssen, Jim Morphesis, Patrick Graham, Gottfried Helnwein, Nathan Oliveira, and Stephen De Staebler, HEADS presents a fresh take on a well-worn theme by sidelining portraiture in favor of “the living and dead, portrait and mask, individual and symbol.”

According to Selz, “The human head has been the inspiration for artists since time immemorial, and with its multifarious range of expression remains an inexhaustible object for the painter and sculptor, open to unlimited formal investigation and infinite expressive interpretation.”

Published on the occasion of the exhibition, this catalogue contains an essay by Selz as well as images of work by each of the 11 artists included in the show.

30 pages. 12 color plates. Hardcover. 2011. Pdf version


Edwige Fouvry: Drawings and Paintings

Working in both oil on canvas and oil pastel and pencil on paper, Fouvry uses sketchy lines and gestures, small facets of bold pigment, and modulated fields of color to summarily render human figures and landscapes.
Her subject matter is inspired by a number of different sources, both concrete and ephemeral. Though she references photographs and film stills, she does not focus on absorbing the particulars but rather quickly gathers information on the story each tell before letting her imagination take over.
Fouvry’s final works are a testament not only to how memories change over time and are interpolated through experience, but they also document humankind?s extraordinary (though not necessarily failsafe) ability to retain and, years later, recall information and experiences.This catalogue presents a selection of works created between 2010 and 2011.
28 pages. 27 color plates. Softcover. 2011.
Pdf version